4 MIN READ

What’s the Difference Between Jealousy and Envy?

“Envy” and “jealousy” aren’t exactly interchangeable, but centuries of English usage have made the distinction surprisingly complicated.

by Jennifer Wood
Two siblings with an ice cream cone

You can envy someone without being jealous of them. But can you be jealous without feeling envy?

It’s a distinction that has puzzled English speakers for centuries. While the words “jealousy” and “envy” are often used interchangeably, they traditionally refer to two different emotions: one rooted in desire, the other in fear.

Wanting vs. Losing

Put simply, envy is about wanting something someone else has. Maybe it’s your boss’ new car, the huge promotion your sister just got, or your partner’s seemingly endless vacation days. You don’t necessarily begrudge these people their good fortune — you might even be happy for them — but you wouldn’t mind some new wheels, a 25% raise, or unlimited PTO yourself.

Jealousy, on the other hand, is about protecting something you already have. It’s the uneasy feeling that someone — or something — might threaten a relationship, position, or possession you value dearly. If your spouse suddenly starts spending all their free time with a new work colleague, for example, you might feel jealous of the attention that other person is receiving.

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One easy way to remember the distinction between jealousy and envy is to count the number of people involved. 

Envy is generally a two-person affair: There’s you, and there’s the person who has the thing you want. Jealousy, meanwhile, traditionally involves three parties: you, someone whose affection or attention you value (yes, your dog counts), and a perceived rival who threatens to take it away.

In other words, envy is the equivalent of saying, “I want what you have,” whereas jealousy could be boiled down to, “I’m afraid you’ll take what I have.”

But if the distinction is so straightforward, why do we so often use the words interchangeably? The way people have used the words over time has merged the two in the dictionary.

A History of Bad Feelings

The origins of the two words offer some clues as to how their meanings became so intertwined.

“Envy” comes from the Latin invidia, meaning “envy or ill will,” which itself derives from invidere, meaning “to look at with hostility.” “Jealousy,” meanwhile, traces its roots through French to the Latin zelus, which comes from the Greek zēlos, a word associated with rivalry and competitive desire. That history helps explain why jealousy isn’t always romantic in nature; it can also refer to a fierce determination to protect something you believe belongs to you.

This is where things get complicated, as the supposedly clear-cut distinction between “jealousy” and “envy” has never been quite so straightforward in everyday usage.

According to Merriam-Webster, “jealous” can refer to both a fear of losing someone’s affection to a rival and resentment of another person’s advantages. In other words, saying you’re jealous of your boss’ new car isn’t necessarily incorrect, even if “envious” would be the more precise word.

The overlap is so deeply ingrained in the English language that even the color green has become associated with both emotions. In Shakespeare’s Othello, Iago famously warns of jealousy as the “green-eyed monster.” Yet we’re just as likely to describe someone as being “green with envy.”

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So, Which Word Should You Use?

If you’re aiming for precision in your speech or writing, the distinction is simple: Use “envy” when you’re talking about something you wish you had, and “jealousy” when you’re worried about losing something that’s already yours.

But if you’ve been telling friends you’re jealous of their fabulous vacations or fancy new cars, there’s no need to correct yourself. Centuries of English usage — and the dictionary — are on your side.

Featured image credit: © anoushkatoronto/stock.adobe.com
4 MIN READ

Why Do Ghosts Say ‘Boo’?

How did a sound for frightening people become the signature cry of the supernatural?

by Jennifer Wood
A white ghost is peeking out from a blue wall

You don’t have to encounter a ghost to know what it would say to you if you did: “Boo!”

In English-speaking countries around the world, “Boo!” is the utterance most closely associated with otherworldly entities. Even in other languages, the sound a ghost supposedly makes is surprisingly similar. In French it’s Bouh!, while Spanish opts for ¡Bu!, the Dutch have Boe!, and German ghosts say Buh!

How did this single-syllable interjection become so closely associated with ghosts and other spooky creatures?

The Sound of Scary

As it turns out, “boo” was born less as a word and more as a sound — and its earliest history is considerably less supernatural than its current usage.

The Oxford English Dictionary traces the word to the early 15th century in the form “boh,” describing it as “a combination of sounds particularly suited to producing a loud, startling noise.” The word’s ultimate origin, however, is uncertain. The OED compares it to the Latin boare and Greek boaō, words meaning “to cry aloud, roar, or shout.”

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That doesn’t mean “boo” descended directly from either of those ancient words, though. The OED presents them as possible comparisons, not a definitive family tree. Like many very old interjections, “boo” may simply have emerged from a sound humans instinctively made when calling out, shouting, or trying to startle someone.

The written evidence gets particularly interesting in the 16th century. In A Treatyse of the Smyth Whych That Forged Hym a New Dame, a story printed in 1565 but apparently based on a much older tale, a character tells someone to “say ones bo.” In this context, “bo” is essentially a demand to speak — to make some noise and show that you’re there. In other words, “bo” was already doing what interjections do best: making a little noise and getting someone’s attention.

Linguistic Jump Scare

By the 17th century, “bo” and “boh” had acquired a more distinctly startling quality. In George Wither’s “Britain’s Remembrancer,” a 1628 poem about the plague, he wrote of a child crying “boh” to frighten a nurse. That is one of the earliest documented examples of the sound being explicitly used to scare someone.

By the 18th century, “boo” was being used as a word to frighten children. Gilbert Crokatt’s Scotch Presbyterian Eloquence Display’d, published in 1738, described “boo” as a word used in northern Scotland “to frighten crying children.” In other words, long before ghosts claimed the word, humans were already deploying it as an instant jump scare.

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“Punch and Judy” and Popular Culture

That Scottish connection may also help explain why “boo” became entwined with supernatural creatures. Scottish dictionaries record compounds such as bu-kow, meaning “something frightening or a hobgoblin,” and bu-man or boo-man, meaning “a goblin or other frightening creature.” The Scottish National Dictionary notes that bu-man was used for a bogey or a creature meant to frighten children.

In other words, “boo” wasn’t merely the sound used to frighten someone; it became attached to the very creatures imagined to do the frightening. The connection was almost inevitable: If “Boo!” is what a person says when trying to frighten someone, and ghosts are supposed to frighten people by suddenly appearing, why wouldn’t a ghost say “Boo!” too?

By the 19th century, ghosts were beginning to do exactly that in popular culture. A Punch and Judy script from 1863 gives a particularly delightful example. When a ghost appears, its entire dialogue consists of repeated cries of “Boo-o-o-oh!” while Punch responds with terrified screams.

Beyond the Spirit World

The sound also proved remarkably useful outside the spirit world. “Peekaboo,” the children’s game in which someone hides and suddenly reappears, has been documented since the 1590s. Its name captures the same basic formula as a ghostly “boo”: hide, appear suddenly, startle the other person. 

Then there’s the other modern “boo”: the sound audiences make to express disapproval. That meaning developed much later than the frightful interjection, with “boo” appearing as an expression of contempt or disapproval in the 19th century. The verb “to boo” followed, eventually giving us the familiar spectacle of audiences booing performers, politicians, athletes, or anyone else who managed to get on their bad side.

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So Why Do Ghosts Say “Boo”?

They don’t have an ancient ghostly language that dictates it; humans taught them. “Boo” began as a short, punchy sound used to command attention or startle someone. Over centuries, it became associated first with frightening children, then with the frightening creatures used to scare them — and eventually with the quintessential creature that does the frightening.

So when a ghost pops out from behind a tombstone and yells “Boo!,” it’s really just carrying on a centuries-old human tradition.

Featured image credit: © Allison Saeng/Unsplash.com
3 MIN READ

6 More Creative Ways To Say ‘I’m Scared’

It’s spooky season, which brings up plenty of opportunities to express fear. How else can we say we’re getting a little scared?

by Julia Rittenberg
A frightened man running from a shadowy figure

As Halloween approaches, every night is a new opportunity to settle in with a scary movie or venture out to a haunted house. Whether you’re terrified by the witches, monsters, and general creepiness that comes in the dead of night, or you’re facing real-life fears and phobias, you might be shouting out, “I’m scared!” 

“To scare” and “to be scared” date back to the 12th century — and hundreds of years later, these words are still a part of the everyday lexicon, especially during this time of year. But if you’re looking for more creative ways to say you’re scared for this season of Halloween frights, these are some of our favorite, most artful ways to convey that fear. 

I’m Petrified

Though the primary meaning of “petrified” refers to a tree that has “converted into stone through a slow process of mineralization,” the secondary meaning is “feeling intense fear.” When you say you’re petrified, it communicates that you’re scared in a way that makes you freeze in place, much like a petrified tree. 

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My Hair Stood on End

This is one of the many English idioms we owe to William Shakespeare. In Hamlet, the ghost of the prince’s father says he could tell a story that would make “each particular hair to stand on end, / like quills upon the fretful porpentine.” Hamlet spends the rest of the play in deep fear of making his next move, as afraid as the ghost told him to be. 

You might also say “the hair on the back of my neck stood up” as a way to communicate feeling scared. The back of the neck is sensitive, and if you feel like something is sneaking up on you, it might cause goosebumps. 

Shaking in my Boots

The expression “I’m shaking (or quaking) in my boots” produces an evocative image — one that’s been used in writing since the early 1800s. It usually refers to having to confront someone or something scary, but it might also conjure up an image of a cowboy in a standoff. The similar phrase “shaking like a leaf” produces an image of the same kind of fear.

My Blood Ran Cold

The power of this statement lies in the bodily experience of fear. To make someone’s blood run cold is to terrify them. We also find this phrase in writing about haunted houses and ghosts. 

I’m Chilled to the Bone

Similar to something that makes your blood run cold, something that chills you to the bone is so scary that it takes all the warmth away. Although it’s usually used in the context of literally being freezing, it comes up in a figurative sense to communicate fear as well. 

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I Have a Bad Taste in my Mouth 

This phrase means that you have a negative or distressed feeling in general, but it encompasses feeling scared, too. If something doesn’t feel right generally, you might say you have a bad taste in your mouth because of the wrongness, which could be causing fear.   

Featured image credit: © The New York Public Library/Unsplash.com
5 MIN READ

9 Words for the Most Common Phobias

Getting scared of everyday things is more normal than we realize. What are the most common fears, and what do we call them?

by Julia Rittenberg
A spider on a web

The season of ghouls, monsters, vampires, witches, and more is upon us. While some folks embrace the spooky and scary vibes, others get enough of facing their fears every day. Shrieks and gasps of fright might accompany a scare, but there’s also a specific vocabulary that pairs with people’s greatest fears. The suffix “-phobia” is tacked onto mostly Greek root words to come up with language describing everything from a slight aversion to outright terror. It derives from the Greek word phobos (meaning “fear”) which itself comes from the name of the Greek god of panic and fear, in some cases specifically brought on by war. The Greek words for phobias are usually used for more severe levels of fear, sometimes even used as the name of medical maladies. However, English, always adapting and changing, sometimes pairs “-phobia” with an English word, such as “germaphobia,” for a lower level of aversion. 

If you know your Greek and Latin, you can even decipher the words for some of the most obscure fears. For example, arachibutyrophobia — from the Greek arachi (peanut) and the Latin butyrum (butter) — translates into a fear of getting peanut butter stuck to the roof of your mouth. That may be more of an annoyance than a true phobia, but here we have the words for some of the most common phobias out there. 

Acrophobia

“Acrophobia” refers to a fear of heights. Instead of Greek, etymologists trace this compound word to the Italian form acrofobia, dating back to the 1880s. In Greek and Latin, however, acro- does refer to something tall, like the Acropolis. 

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Aerophobia

You might look at this and think “fear of air travel,” but that’s a relatively recent evolution of the word. The original usage was a symptom of rabies: an unusual sensitivity to or fear of air. That context was more common in the 1800s.

Arachnophobia 

This is probably one of the best-known fears: the fear of spiders. Given that spiders can be venomous, the fear of spiders is a smart evolutionary response. However, the aversion might also be rooted in ancient myth. In Ovid’s Metamorphoses, Arachne, a mortal weaver, challenged Minerva, the goddess of witchcraft and wisdom, to a weaving context. Arachne wove a tapestry of the many ways gods had punished mortals unfairly, and Minerva was so angry that she transformed Arachne into a spider. Thus Arachne’s weaving, while beautiful, would never be appreciated by the humans who feared her as a spider. 

Cynophobia

Although a more recently named discovery, this is a common one all the same: a heightened fear of dogs. The first half of the word comes from the Greek word for “dog,” kýōn. We can find “cynophobia” in writing in the 19th century, but it became a medical condition documented by psychologists in 1998. With the official naming came more treatments related to desensitization and easing of the fear. The usage of this term as a diagnosis refers to people whose fear of dogs is debilitating to their daily life. 

Glossophobia 

Fear of public speaking, or glossophobia, is a major plotline of movies such as The Princess Diaries and The King’s Speech. The Greek word glossa means “tongue,” so the word is less literal than some of the other phobias on this list. 

Since it’s such a common fear, with a range in the levels of response, there are a variety of classes and strategies for dealing with glossophobia. You might take a public speaking class, or join an organization such as Toastmasters for more experience in conquering your glossophobia. 

Mysophobia 

“Germaphobe” might be used to refer to someone who uses hand sanitizer regularly in public, or to someone who ensures their kitchen and bathroom are always fastidiously clean, but the term “mysophobia” is an intense fear of contamination. A physician named William Hammond coined the term in 1879 in reference to a patient washing their hands excessively as a symptom of their obsessive-compulsive disorder. 

Mýsos is the Greek word for pollution or defilement. “Mysophobia” is used generally, but there are also terms such as “verminophobia” and “bacteriophobia” for more specific contamination fears.

Nyctophobia 

Nyctophobia, fear of the dark, is more common in children, but even adults can experience some level of trepidation in dark environments. The word comes from the Greek nyx, meaning “night.” You might also see “scotophobia” to refer to a general fear of darkness, not just at night, but “nyctophobia” is still more dominant.

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Ophidiophobia 

Indiana Jones is probably the most well-known ophidiophobe in pop culture: He’s afraid of snakes. “Ophidian” is an adjective that means “of, relating to, or resembling snakes,” so an ophidiophobe might be afraid of the animal but also any slithering noise or creepy wiggling scales. The wider term “herpetophobia” (from the Greek herpeton, meaning “creeping thing, reptile”) refers to a fear of reptiles, lizards, and other scaly beasts that fall under the same umbrella. 

Trypophobia

Deriving from the Greek word trýpē (hole), this phobia is a recently recognized phenomenon. In the early 2000s, members of an online forum recognized that they shared a common fear of “clusters or repeating patterns of tightly packed small holes or bumps.” A notable example of a public reaction of trypophobia came when Apple released a model of the iPhone in 2019 with three lenses for the camera: People prone to trypophobia were intensely put off by the design. 

Featured image credit: © Zdeněk Macháček/Unsplash.com
4 MIN READ

Do Your Emojis Make You Look Old?

You may feel like a spring chicken, but the types of emojis you use can expose your true age. Here are some differences in how different generations typically text.

by Bennett Kleinman
An older woman texting on a phone

Generations Z and Alpha, millennials, and boomers all have vastly different preferences when it comes to using emojis. An emoji that’s popular among teenagers might mean little to nothing to someone who’s at retirement age, and vice versa. There’s no wrong way to use emojis, but certain images could expose you as a member of a specific generation. A recent New York Times article took a deep dive into the topic, examining data compiled by Google coupled with informal anecdotal data sourced from Reddit, a popular network of online message boards. Based on the findings, here are some emojis that may reveal a texter’s true age.

According to Google’s data, the most widely used emoji in 2025 was 😭, surpassing the similar 🤣 and 😂 crying emojis that were previously more popular. Texters use the 😭 emoji to convey a variety of emotions, ranging from literal sadness to tears of joy and in some cases weeping because something is oh-so-cute. But Google’s emoji usage statistics aren’t broken down by demographics, so to get a better idea of how emoji use differs by age, the Times examined various subreddits — Reddit message boards that are dedicated to specific topics, or in this case, age groups.

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The most commonly used emoji on the r/teenagers subreddit was indeed the 😭 emoji, suggesting that teens are behind its surge in popularity. If you head over to the r/GenX subreddit, you won’t see the 😭 emoji nearly as often. Instead, 😂 is the most-used crying emoji. The inference is that if you use 😭 you might be a teenager, while if you use 😂 you’re more likely to have been born between 1965 and 1980. It’s not a precise science, but it gives us a glimpse at the larger picture.

Our mostly millennial editorial team threw out another alternative to the 😂 emoji. We’re partial to “lol” tacked on to the end of a sentence instead of a period, signifying a lighthearted tone or humor. 

In general, younger people tend to be less literal and more fanciful with their emoji use, whereas older people tend to be the opposite. For instance, younger generations typically use 🔥 or 🙏 to communicate approval of something. Older generations, meanwhile, more often rely on 💯 or 👍. It may seem odd to think that a universally understood symbol like a thumbs up could expose you as an older person, but that’s just how modern emojis work.

You may also reveal your age if you’re confused by the meaning behind the fast-rising emojis being made popular by Generation Alpha (those born between 2010 and 2024). A recent TikTok trend led to a massive rise in use of the 🥀 emoji to signify sadness or heartbreak (like you’re wilting from the intensity of your emotions), replacing the 💔 more often used by older generations. Gen Alpha also uses the 🗿 emoji (a moai, referencing the statues of Easter Island) to indicate a deadpan response, and the 🫰 emoji (a finger heart that comes from the Korean pop music scene) to convey affection. If these emojis go over your head, you’re probably from an older generation.

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The good news is, emojis are a way to express yourself over text creatively, and there are no hard-and-fast rules. But if you stick to basic emojis such as 😀 to convey happiness, ❤️ to express love, or 👍 to suggest satisfaction, those literal uses might expose you as being of an older generation. Before you try to adopt younger emoji signals, though, we should warn you: By the time you get used to using 😭, the youths will already be on to the next hot trend. 

Featured image credit: © Getty Images/Unsplash.com
4 MIN READ

Where Does ‘Swashbuckler’ Come From?

A dashing swordsman is the swashbuckler we’re used to seeing in films and books, but this character wasn’t always so heroic.

by Tony Dunnell
Comic magazine of the television series El Zorro

The word “swashbuckler” conjures up images of a particular type of stock character: a heroic figure skilled in swordsmanship and acrobatics, who partakes in daring deeds with guile and charm, and who might be chivalrous but could just as well be something of a rogue. This flamboyant protagonist has long appeared in tales of adventure on both page and screen, leaping across ship decks, dueling on staircases, and charging into danger with a grin. Think Peter Pan, Sinbad, Zorro, and the three musketeers.  

But what exactly is a swash and why is it so prone to buckling? As it turns out, the roots of “swashbuckler” are far more literal — and somewhat less glamorous — than we might expect. 

The Noisy Origins of the Swashbuckler

The noun “swashbuckler” appeared in English around the 1550s as a straightforward compound of “swash” and “buckler.” Back then, “swash” was an imitative, or onomatopoeic, word — one that tries to sound like the thing it describes. In the early 1500s it referred to the fall of a heavy blow, such as the clash of steel on steel. It could be used to refer to the sound of swords striking one another or hammering against armor. A buckler, meanwhile, was a small, round shield made of iron, steel, or wood and typically held by a handgrip rather than strapped to the arm. Light and handy, it was popular with swordsmen who wanted to parry quickly without being weighed down. 

At some point during the 1500s, the two words were put together to form a vivid image: a fighter who made a show of striking his own or his opponent’s buckler with his sword (the former to intimidate, the latter when attacking). But there was nothing inherently glamorous or heroic about the fighter, and early uses of “swashbuckler” were rarely complimentary. The term often pointed to a crude, blustering, boastful type — more a ruffian than a true hero. 

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One of the earliest recorded uses of the word is found in Thomas Nashe’s 1593 work Christs teares ouer Ierusalem, and it is far from laudative: “No Smithfield ruffianly Swashbuckler, will come of with such harshe hell-raking othes as they.” By the late 17th century, the related adjective “swashbuckling” had emerged to describe the noisy, swaggering style of the swordsmen described above. It took a lot longer for the modern verb “swashbuckle” to appear; it was first recorded in 1897.

From Ruffian to Heroic Adventurer

It took centuries for “swashbuckling” to take on a romantic connotation, first through literature and then through film. According to movie critic Matthew M. Foster, “Modern novels, and then Hollywood, altered the word, keeping the definition, but changing the connotation.” The swashbuckler, he explained, could still be a loudmouthed braggart, but in a good way — he (or in rare cases, she) could be irresponsible and impetuous, but in a charming or dashing manner. 

In the 19th and early 20th centuries, adventure novelists defined the modern swashbuckler. Alexandre Dumas (The Three Musketeers, published in 1844) and especially Rafael Sabatini — whose adventure novels include Scaramouche (1921) and Captain Blood (1922) — took the blustering, shield-thumping swordsman archetype and recast him as a dashing, honorable hero. The character kept the swagger, the recklessness, and the flair, but turned it into a charming virtue rather than a flaw.

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Hollywood cemented the image of the heroic swashbuckler in the 1920s. The word became attached to an actual film genre — simply known as the swashbuckler — largely through the silent films of actor Douglas Fairbanks. His movies, such as The Mark of Zorro (1920) and The Black Pirate (1926), are generally credited with defining the swashbuckler as a cinematic archetype. Then came Errol Flynn, whose roles fully crystallized the image of the swashbuckler, especially in Captain Blood (1935, based on Sabatini’s novel) and The Adventures of Robin Hood (1938). This is the version most people picture today: a charismatic swordsman, courtly and honorable, rescuing the damsel in distress and outwitting the villain. It’s a world away from the noisy, shield-banging brute of old. 

Featured image credit: © Acento Creativo/stock.adobe.com
3 MIN READ

Do You Wait in Line or on Line?

Whether you wait “in line” or “or line” largely depends on where you’re from. Let’s break it down by region.

by Bennett Kleinman
A line of business workers

Sometimes all it takes is a single word to figure out where a person is from. For instance, if they say “soda” they might be from the Northeast, whereas someone who says “pop” is more likely to have grown up in the Midwest. Other regionalisms are less distinct, as they vary by just a single letter.

Such is the case with “wait in line” and “wait on line.” While the former is used by a majority of American English speakers, there’s a part of the country where the latter is far more common — in the Big Apple and its surrounding areas.

In most states, locals are likely to wait in line at the bank, an amusement park, or any other location where queues form. But as linguist Margaret Bryant noted in the 1962 work Current American Usage, the variation of “on line” was commonly used by people in the New York City area, and by folks north of the city throughout the Hudson Valley.

This isn’t to say that “on line” was or is exclusive to the NYC area. In fact, there’s plenty of evidence of “on line” appearing in print in publications in California and Texas, among others. But you are far more likely to hear a person say “on line” if you’re in New York City or the vicinity, and “in line” everywhere else.

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But why? Well, there’s an urban legend that suggests this comes from Ellis Island. When immigrants were coming into the country through Ellis Island, they would stand atop and follow lines painted on the floor while they were waiting. That’s an interesting story, but it’s not likely the actual origin. The Ellis Island theory was discussed in an episode of “A Way With Words” podcast and the hosts brought up the idea that in the past painted lines were seen in many places where people gathered to line up, such as department stores and the post office. New York City, with its dense population, might have had more painted lines than other places. “On line” — seen in print going back at least 100 years — is almost certainly a regional linguistic quirk, akin to how New Yorkers say “on Long Island” instead of “in Long Island.” 

Another reason most of the country uses “in line” is to avoid confusion with the single word “online,” as in “related to the internet.” This certainly wasn’t the original reason, as both variants predate the internet by some time, but it helped cement the preference toward “in line.” 

Anecdotally, I was curious as to how our own editorial staff uses these phrases, because our team is composed of people who grew up all around the U.S. After polling my co-workers, I found that the regional divide held up. Team members who grew up in Pennsylvania, Florida, Southern California, Ohio, and Indiana all say “in line,” while the only other New York native and I say “on line.”

Linguistically, both options are considered to be acceptable. Just be careful using “in line” if you visit New York City — it may expose you as an out-of-towner.

Featured image credit: © Getty Images/Unsplash.com
3 MIN READ

What Does It Mean To Rest on Your Laurels?

The phrase “rest on your laurels” is based, in part, on an ancient Greek myth. So how did the saying evolve to mean what it does today?

by Bennett Kleinman
A roman statue wearing a crown of laurels

While laurels may not be as comfortable as a Tempur-Pedic mattress, people sure do like to rest on them. The phrase “to rest on one’s laurels” means “to be satisfied with past success and do nothing to achieve further success.” The laurels in question are Laurus nobilis trees, which are native to southern Europe. These trees have ties to an ancient Greek myth and were once bestowed as esteemed trophies.

In ancient Greece, the Pythian Games were an athletic and artistic competition second in importance only to the Olympic Games. Winners of the contests were awarded laurel wreaths as trophies to honor the god Apollo, to whom the event was dedicated. In Greek myth, Apollo was infatuated with the nymph Daphne, who turned into a tree. After this transformation, Apollo cut off one of the branches and wore it as a wreath, thus becoming associated with laurels. This is why the botanical trophies were awarded as status symbols.

The tradition of awarding laurels carried on to the Roman Empire, though as the Greek and Roman empires declined, so too did this concept. But it reemerged in the Middle Ages, thanks in part to a reference in Geoffrey Chaucer’s The Knight’s Tale: “With laurer crowned as a conquerour; And ther he lyveth in joye and in honour.”

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By the early 18th century, the phrase “repose on one’s laurels” had been coined (with “repose” meaning “to lay at rest”). It was largely used to refer to people retiring from a profession or to those who had passed on, suggesting they’d finally be able to rest after achieving many great things in life. One of the earliest mentions is in the 1723 work The Memoirs of the Cardinal de Retz, referencing a person who “was old enough to take his repose under the show of his laurels.” At that time, the saying was used in a positive light.

But by the 19th century, the saying had taken on a more critical, disapproving tone. An 1825 piece about Irish novelist Maria Edgeworth in The Literary Chronicle said, “We do not affect to wish she should repose on her laurels and rest satisfied; on the contrary, we believe that genius is inexhaustible.” From there, the phrase was commonly used in the context of a judgmental critique. Today, to say someone is resting on their laurels means they achieved great things in the past, but they are content to live their life based on former glory, rather than to work hard and achieve more great things in the future.

Featured image credit: © Ghislain Bukura/Pexels.com
2 MIN READ

Why Do We Say ‘Like Gangbusters’?

The phrase “like gangbusters” originated in the world of radio. Let’s look at how it transcended that medium to be adopted as widespread slang.

by Bennett Kleinman
Two police officers

When a person enters a room making more noise than a jet engine running at full power, you may say they “came on like gangbusters.” This phrase is used to describe situations where people act overly energetic and sometimes aggressive. The idiom originated in the world of radio, specifically a dramatic radio program called Gang Busters that ran from 1936 to 1957.

However, the term “gangbuster” actually predates the radio show by a few years. It was coined around 1930 to refer to law enforcement officers who were renowned for breaking up gangs associated with organized crime. Then in the mid-1930s, the radio program Gang Busters, one of the first police dramas, hit the airwaves. The plot focused on telling true-crime stories, capitalizing on a burgeoning societal interest in law enforcement.

The idiom “come on like gangbusters” developed from the sounds of the  radio program. Each episode started with a cacophony of gunshots, sirens, jarring musical stings, screams, and other raucous sounds. And because the show had such a wide audience, the phrase transcended the medium and was adopted as a general term for behaving in a rowdy manner.

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Today, “gangbuster” has evolved to also be used as an adjective meaning “outstandingly excellent or successful.” This meaning is likely derived from the original definition of the term, referring to those who successfully broke up criminal syndicates.

The lasting appeal of the phrase “like gangbusters” goes to show just how popular radio was as an entertainment medium in the early to mid-20th century, and how the programs made a lasting impact on contemporary society. 

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2 MIN READ

Where Did El Niño Get Its Name?

To Spanish speakers, el niño means “the boy.” But to English speakers, it refers to an erratic, powerful weather phenomenon. Here’s why.

by Bennett Kleinman
Satellite image of a storm

The phenomenon called El Niño is an irregular weather pattern where water surface temperatures rise in the Pacific to be warmer than is typical. The water is pushed toward the American West Coast, causing the northern U.S. to be dryer and warmer than normal, while the southern U.S. ends up wetter and more prone to flooding. These details fascinate climatologists, but there’s something else of interest for curious etymologists. 

El Niño was initially the name of a similar, albeit more consistent weather pattern than the erratic system we know today. In the 1600s, South American fishermen began noticing that each year around Christmas, warmer currents would strengthen and flow down the coast. These warmer waters affected fishermen because they resulted in reduced catches.

In the 19th century, Peruvian fishermen coined the term El Niño de Navidad, or just El Niño, as a name for these warmer, seasonal ocean currents. In Spanish, el niño means “the boy,” though in this case it referred specifically to Jesus Christ. This association was formed because  the waters reached peak warmth around December, when people in these religious South American cultures celebrated the birth of Christ.

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As scientists began to study these warm ocean currents, the name El Niño shifted away from describing an annual phenomenon. Instead, it was adopted as a name for the erratic weather patterns that we associate El Niño with today.

In addition to El Niño, there’s also La Niña, meaning “the girl” or “little girl” in Spanish. To climate scientists, La Niña refers to the opposite type of weather pattern from El Niño. During periods of La Niña, warm water is pushed toward Asia rather than to the Americas, which means colder water temperatures along the American West Coast.

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